Recommended Books and Articles

With Recommended Books and Articles, the project intends to bring together a virtual library of those books and articles which are specific for the topic of the project and are of recent date. For the time being, titles which are mostly books, will be presented in alphabetical order. In the next stage, such titles will be classified according to subject categories, in order to make them more easily available.

Front cover image: The Global Art World. Audiences, Markets, and Museums, ed. Hans Belting, Andrea Buddensieg, (Ostfildern: Hatje Cantz Verlag, 2009)

Cultural Theory in General

Appadurai, Arjun. The Social Life of Things. Commodities in Cultural Perspective. (Cambridge: Cambridge University Press, 1999).

Appadurai, Arjun. Modernity at Large. Cultural Dimensions of Globalization. Public Worlds, Volume 1 (Minneapolis / London: University of Minnesota Press, 1997).

Appiah, Kwame Anthony. Cosmopolitanism. Ethics in a World of Strangers. (New York/London: W. W. Norton, 2006).

Ashcroft, Bill; Griffiths, Gareth, and Tiffin, Helen (eds.), The Post-Colonial Studies Reader (London / New York: Routledge, 2004, 7th edition).

Attali, Jacques. Histoires du temps (Paris: Librairie Arthème Fayard, 1982).

Augé, Marc. Non-lieux. Introduction à une anthropologie de la surmodernité (Paris: Éditions du Seuil, 1992).

Augé, Marc. An Anthropology for Contemporaneous Worlds. (Stanford: Stanford University Press, 1994).

Augé, Marc. The War of Dreams. Studies in Ethno Fiction (London / Sterlin: Pluto Press, 1999).

Bauman, Zygmunt. Liquid Modernity (Cambridge: Polity Press, 2000).

Beck, Ulrich. Was ist Globalisierung Edition Zweite Moderne (Frankfurt a.M.: Suhrkamp, 1997).

Bermejo, Diego. Posmodernidad: pluralidad y transversalidad (Barcelona: Anthropos, 2002).

Beynon, John, and Dunkerley, David (eds.). Gloablization. The Reader (New York: Routledge, 2000).

Bhabha, Homi K. Die Verortung der Kultur (Tübingen: Stauffenburg Verlag, 2000).

Biemann, Ursula and Jan-Erik Lundström (eds.) Mission Reports. Artistic Practice in the Field: Ursula Biemann. Video Works 1998-2008. (Bristol: Arnolfini Gallery Ltd, 2008).

Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. (Cambridge: Polity Press, 1996).

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. (Cambrige: Polity Press, 1993).

van den Braenbussche, Anton, Heinz Kimmerle and Nicole Note (eds.). Intercultural Aesthetics. A Worldview Perspective. (Amsterdam: Springer Netherlands, 2009).

Canclini, Néstor García. Consumers and Citizens: Globalisation and multicultural conflicts. Cultural Studies of the Americans: Volume 6 (Minneapolis/London: University of Minnesota Press, 2001).

Castells, Manuel. The Information Age: Economy, Society and Culture. (Oxford: Blackwell Publishing, 1999).

Castro Varela, Mar María do; and Dhawan, Nikita (eds.). Postkoloniale Theorie. Eine kritische Einführung (Bielefeld: transcript, 2005).

Chatterjee, Partha. A Possible India (New Dehli: Oxford University Press 1997).

Cherry, Deborah. Art: History: Visual: Culture. (Oxford: Blackwell Publishing, 2005).

Conrad, Sebastian, and Randeria, Shalini (eds.). Jenseits des Eurozentrismus. Postkoloniale Perspektiven in den Geschichts- und Kulturwissenschaften (Frankfurt / New York: Campus Verlag, 2002).

Featherstone, Mike. Global Culture – Nationalism, Globalization and Modernity. (London/Thousand Oaks/New Delhi: Sage Publications, 1991).

Foster, John Burt and Wayne J. Froman (eds.). Thresholds of Western Culture: Identity, Postcoloniality, Transnationalism. (New York/London: Continuum, 2002).

Ha, Knien Nghi. Ethnizität und Migration reloaded: Kulturelle Identität, Differenz und Hybridität im postkolonialen Diskurs (Berlin: Wissenschaftlicher Verlag Berlin, 2004).

Harvey, David. The Condition of Postmodernity. An Enquiry into the Origins of Culture Change. (Oxford: Blackwell Publishing, 1990).

Held, David and Anthony McGrew (eds.). The Global Transformations Reader. (Cambridge: Polity Press, 2003).

Hobsbawm, Eric J. and Terence Ranger (eds.). The Invention of Tradition. (Cambridge: Cambridge University Press, 1983).

Hörning, Karl H., and Winter, Rainer (eds.). Widerspenstige Kulturen. Cultural Studies als Herausforderung (Frankfurt a.M.: Suhrkamp, 1999).

Jameson, Fredric, and Miyoshi, Masao (eds.). The Cultures of Globalization (Durham/London: Duke University Press, 1998).

Kasfir, Sidney Littlefield. African Art and the Colonial Encounter: Inventing a Global Commodity. (Bloomington: Indiana University Press, 2007).

Maschiano, Grazia and Raffaele Milani (eds.). Frontiers of Transculturality in Contemporary Aesthetics. (Turin: Trauben, 2001).

Nelson, Cary and Lawrence Grossberg (eds.). Marxism and the Interpretation of Culture. (Urbana: University of Illinois Press, 1988).

Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. (London/New York: Routledge, 1992).

Ribeiro, António Pinto (ed.). The State of the World (Manchester: Carcanet, 2006).

Said, Edward W. Culture and Imperialism (New York: Random House, 1993).

Said, Edward W. Orientalism (New York: Random House, 1994) (first edition 1978).

Sassen, Saskia. Globalization and its Discontents (New York: The New Press, 1998).

Shaw, Wendy M. K. Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (Berkeley / Los Angeles: University of California Press, 2003).

Smith, Terry, Okwui Enwezor and Nancy Condee (eds.) Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. (Durham/London: Duke University Press, 2008).

Museum Studies / Institutional Critique

Altshuler, Bruce (ed.). Collecting the New (Princeton / Oxford: Princeton University Press, 2005).

Anderson, Gail (ed.). Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift (Walnut Creek / Lanham / Toronto / Oxford: Alta Mira Press, 2004).

Art Critics in the Age of Global Mobility (Barcelona: ACCA-AICA, 2007.

Bayer, Waltraud. Gerettete Kultur. Private Kunstsammler in der Sowjetunion 1917-1991 (Vienna: Turia und Kant Verlag, 2006).

Berger, Peter L. and Samuel P. Huntington (eds.). Many Globalizations: Cultural Diversity in the Contemporary World. (Oxford: Oxford University Press, 2002).

Bennett, Tony. Past Beyond Memory: Evolutions, Museums, Colonialism (London / New York: Routledge, 2004).

Bennett, Tony. The Birth of the Museum: History, Theory, Politics (London / New York: Routledge, 1995).

Boswell, David, and Evans, Jessica. Representing the Nation. A Reader: Histories, Heritage and Museums. (London / New York: Routledge, 1999).

Crimp, Douglas. On the Museum’s Ruins. (Cambridge / London: The MIT Press, 1993).

DeRoo, Rebecca J. The Museum Establishment and Contemporary Art: The Politics and Artistic Display in France after 1968 (New York: Cambridge University Press, 2006).

Everything is Museum. exhib. cat. (Beijing: National Art Museum China, 2008).

Fisher, Philip. Making and Effacing Art: MOdern American Art in a Culture of Museums. (New York: Oxford University Press, 1991).

Guidieri, Remo. Chronique du neutre et de l’auréole. Sur le musée et ses fétiches (Paris: La Différence, 1992).

Gurian, Elaine Heumann. Civilizing the Museum. The Collected Writings of Elaine Heumann Gurian (London / New York: Routledge, 2006).

Heesen, Anke te, and Lutz, Petra (eds.). Dingwelten: Das Museum als Erkenntnisort Schriften des Deutschen Hygiene-Museums Dresden. Gisela Staupe (ed.): Volume 4 (Cologne: Böhlau, 2005).

Hünnekens, Annette. Expanded Museums: Kulturelle Erinnerung und virtuelle Realitäten Schriften zum Kultur- und Museumsmanagement (Bielefeld: transcript, 2002).

John, Hartmut. Das Museum als Marke: Branding als strategisches Managementinstrument für Museen Schriften zum Kultur- und Museumsmanagement (Bielefeld: transcript, 2007).

Karp, Ivan; Kratz, Corinne A.; Szwaja, Lynn, and Ybarra-Frausto, Thomás (with Buntinx, Gustavo; Kirshenblatt-Gimblett, Barbara, and Rassool, Ciraj) (eds.). Museum Frictions: Public Cultures / Global Transformations (Durham / London: Duke University Press, 2006).

Karp, Ivan, Christine Mullen Kreamer and Steven D. Lavine (eds.). Museums and Communities: The Politics of Public Culture (Washington/London: Smithsonian Institution Press, 1992.)

Karp, Ivan and Lavine and Steven D. (eds.), Exhibiting Cultures: The Poetics and Politics of Museum Display (Washington: Smithsonian Institution, 1991).

Kirshenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage (Berkeley / Los Angeles / London: University of California Press, 1998).

Kreps, Christina F. Liberating Culture: Cross-Cultural Perspectives on Museums, Curation and Heritage Preservation (London / New York: Routledge, 2003).

Luisetti, Frederico (ed.). Dopo il museo (Torino: Trauben, 2006).

Malraux, André. Museum Without Walls. (London: Secker & Warburg, 1967).

MacDonald, Sharon (ed.). A Companion to Museum Studies (Oxford / Edinburgh: Blackwell, 2006).

McClellan, Andrew (ed.). Art and its Publics: Museum Studies at the Millennium New Interventions in Art History (Malden / Oxford / Carlton: Blackwell Publishing Ltd., 2003).

Message, Kylie. New Museums and the Making of Culture. (Oxford: Berg Publishers, 2007).

Möntmann, Nina (ed.). Art and its Institutions: Current Conflicts, Critique and Collaborations (London: Blackdog Publishing, 2006).

Fyfe, Gordon et al (eds.). Museum and Society. Online Magazine since 2003, (Leicester: University of Leicester),

Noever, Peter / MAK (eds.). Das diskursive Museum (Ostfildern: Hatje Cantz Verlag, 2001).

Pommerehne, Werner W., and Frey, Bruno S. (eds.). Museen und Märkte: Ansätze einer Ökonomie der Kunst. (Munich: Vahlen, 1993).

Serota, Nicholas. Experience or Interpretation: The Dilemma of Museums of Modern Art (London: Thames & Hudson, 1996).

Simpson, Moira G. Making Representations. Museums in the Post-Colonial Era (London/New York: Routledge, 1996).

Spalding, Julian. The Poetic Museum: Reviving Historic Collections. (London / New York / Munich: Prestel Verlag, 2002).

Stocking, George W. Jr. (ed.). Objects and Others. Essays on Museums and Material Culture History of Anthropology: Volume 3 (Madison: University of Wisconsin Press, 1985).

Steiner, Barbara, and Esche, Charles (eds.). Mögliche Museen (Cologne: Walther König, 2007).

Vergo, Peter (ed.). The New Museology (London: Reaktion Books, 1989).

Vieregg, Hildegard. Museumswissenschaften: Eine Einführung (Paderborn: Fink, 2006).

Wall, Tobias. Das unmögliche Museum: Zum Verhältnis von Kunst und Kunstmuseen der Gegenwart (Bielefeld: transcript, 2006).

Weil, Stephen E. Rethinking the Museum. And other Meditations (Washington / London: Smithsonian Institution Press, 1990).

Welchman, John C. (ed.). Institutional Critique and After (Zurich: J.R.P. / Ringier, 2006).

Witcomp, Andrea. Re-Imagining the Museum: Beyond the Mausoleum (London / New York: Routledge, 2003).

Wu, Chin-tao. Privatising Culture. Corporate Art Intervention since the 1980s (London / New York: Verso, 2002).

Ethnology and Popular Culture Today

Altbach, Philip G. and Salah M. Hassan (eds.). The Muse of Modernity: Essays on Culture as Development in Africa. (Asmara/Trenton: Africa World Press, 1996).

Amselle, Jean-Loup. L’art de la friche. Essai sur l’art africain contemporain (Paris:Flammarion, 2005)

Asante, Molefi Kete and Ama Mazama (eds.). Egypt vs Greece and the American Academy: Debate Over the Birth of Civilization. (Chicago: African American Images, 2002)

Asante, Molefi Kete. The Afrocentric Idea. (Philadelphia: Temple University Press, 1998).

Barkan, Elazar and Ronald Bush (eds.). Prehistories of the Future: The Primitivist Project and the Culture of Modernism (Stanford: University of Stanford Press, 1995).

Beier, Uli. Contemporary Art in Africa (London: Pall Mall Press, 1968).

Bousteau (ed.). In the Arab World… Now. Made by…. 3 vols. (Paris: Galerie E. Navarra, 2008).

Bowles (ed.). China Onward. The Estella Collection. Chinese Contemporary Art, 1966-2006. exhib. cat. (Humlebæk: Louisiana Museum of Modern Art, 2007).

Corbey, Raymond. Tribal Art Traffic: A Chronicle of Taste, Trade and Desire in Colonial and Post-Colonial Times (Amsterdam: Royal Tropical Institute, 2000).

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. (Cambridge: Harvard University Press).

Errington, Shelly. The Death of Authentic Primitive Art and other Tales of Progress (Berkeley: University of California Press, 1998).

Escobar, Ticio. El Mito del Arte y el Mito del Pueblo. Cuestiones sobre Arte Popular (Asunción: Peroni Ediciones, 1986).

Fabian, Johannes. Time and the Other: How Anthropology Makes its Object (New York: Columbia University Press, 1983).

Fillitz, Thomas. Zeitgenössische Kunst aus Afrika. 14 Gegenwartskünstler aus Cote d’Ivoire und Bénin (Vienna/Cologne/Weimar: Böhlau Verlag, 2002).

Hendry, Joy. Reclaiming Culture: Indigenous People and Self-Representation (New York: Palgrave Macmillan, 2005).

Hiller, Susan. The Myth of Primitivism: Perspectives on Art. (London/New York: Routledge. 1991).

de Kock, Leon, Louise Bethlehem and Sonha Laden (eds.). South Africa in the Global Imaginary. (Pretoria/Leiden: University of South Africa Press/Koninklijke Brill NV, 2004).

Jewsiewicki, Bogumil. Mami Wata: La Peinture Urbaine au Congo (Paris: Gallimard, 2003).

Loomba, Ania Suvir Kaul, Matti Bunzl, Antounette Burton and Jed Esty (Eds.). Postcolonial Studies and Beyond. (Durham/London: Duke University Press, 2007).

Macamo, Elísio Salvado (ed.). Negotiating Modernity: Africa’s Ambivalent Experience. (London/Pretoria/Dakar: Zed Books/University of South Africa Press/Codesria, 2005).

Magnin, André. African Art Now. exhib. cat., Museum of Fine Arts, Houston. (London: Merrell Publishers, 2005).

Magnin, André, and Jacques Soulillou (eds.) Contemporary Art of Africa. (New York: Abrams, 1996).

Pollock, Griselda, and Zemans, Joyce (eds.). Museums after Modernism: Strategies of Engagement (Oxford / Edinburgh: Blackwell, 2007).

Price, Sally. Primitive Art in Civilized Places (Chicago: University of Chicago Press, 1989).

Schneider, Arnd, and Wright, Christopher (eds.). Contemporary Art and Anthropology (Oxford: Berg, 2006).

Stöter-Bender, Jutta. Zeitgenössische Kunst der ‘Dritten Welt’. (Cologne: DuMont, 1991).

Thomas, Nicholas and Diane Losche (eds.). Double Vision. Art Histories and Colonial Histories in the Pacific. (Cambridge: Cambridge University Press, 1996).

Thomas, NIcholas. Entangled Object. Exchange, Material Culture and Colonialism in the Pacific. (Cambridge: Harvard University Press, 1991).

Yoshida, Kenji, and Mack, John (eds.). Images of Other Cultures. Reviewing Ethnographic Collections of the British Museum and the National Museum of Ethnology, Osaka (Osaka: NHK Service, 1997).

Art and Globalization

Amin, Samir. Eurocentricism (London: Zed Books, 1988)

Alloway, Lawrence. Imagining the Present. Context, Content, and the Role of the Critic. Kalina, Richard (ed.). Critical Voices in Art, Theory and Culture (London/New York: Routledge, 2006).

Araeen, Rasheed. Cubitt, Sean, and Sardar, Ziauddin (eds.). The Third Text Reader on Art, Culture and Theory (London / New York: Continuum, 2002).

Araeen, Rasheed. The Other Story. Afro-Asian Artists in Postwar-Britain. exhib. cat. (Hayward Gallery, London, Southbank Centre, 1989).

Art Asia Pacific Almanac 2005/2006 (New York: Art Asia Pacific Publishing LLC, 2006).

Art Asia Pacific Almanac 2007 (New York: Art Asia Pacific Publishing LLC, 2006).

Art Asia Pacific Almanach 2008 (New York: Art Asia Pacific Publishing LLC, 2007).

Ascott, Roy. Telematic Embrace. Visionary Theories of Art, Technology, and Consciousness. Shanken, Edward A. (ed.) (Berkeley/Los Angeles/London: University of California Press, 2003).

Bal, Mieke and Miguel A. Hernández-Navarro (eds.). 2Move: Video Art Migration (Murcia: Cendeac, 2008).

Bal, Mieke. _Quoting Caravaggio: Contemporary Art, Preposterous History: (Chicago: University of Chicago Press, 1999).

Barker, Emma (ed.). Contemporary Cultures of Display. Series Art and its Histories vol. 6 (New Haven/London: Yale University Press in association with The Open University, 1999) ISBN 0-300-07783-1

Belting, Hans and Haustein, Lydia (eds.). Das Erbe der Bilder: Kunst und moderne Medien in den Kulturen der Welt (Munich: C.H. Beck, 1998).

Belting, Hans and Andrea Buddensieg. The Global Art World. Audiences, Markets and Museums (Hatje Cantz Verlag, Ostfildern, May 2009)

Bestor, Theodore C. How Sushi Went Global, in: Foreign Policy, No. 121, Nov.-Dec., 2000, pp. 54-63.

Bianchi, Paolo (ed.). Weltkunst – Globalkultur. Themenheft Kunstforum International 118 (Cologne: Kunstforum International, 1992).

Bidoun: a Quarterly Forum for Middle Eastern Talent (New York: Bidoun, Inc., 2004- ).

Buruma, Ian amd Avishai Margalit. Occidentalism: A Short History of Anti-Westernism. (London, Atlantic, 2004).

Bydler, Charlotte. The Global Artworld Inc.: On the Globalization of Contemporary Art. (Uppsala: Uppsala University Press, 2004).

Caillet, Elisabeth et al. (eds.). L’Art Contemporain et son Exposition (1) (Paris: L’Harmattan, 2002).

Camnitzer, Luis, and Farver, Jane (eds.). Global Conceptualism: Points of Origin 1950s–1980s. Ex. Cat. (New York: The Queens Museum of Art, 1999).

Clark, John, Maurizio Peleggi, and T. K. Sabapathy (eds.). Eye of the Beholder: Reception, Audience, and Practice of Modern Asian Art, University of Sydney East Asian series, 15 (Sydney: Wild Peony, 2006).

Cubism in Asia: Unbounded Dialogues, Ex. Cat. (Tokyo: The National Museum of Modern Art, 2000).

Danto, Arthur C. After the End of Art: Contemporary Art in the Pale of History (Princeton: Princeton University Press, 1997).

Dubin, Steven C. Transforming Museums: Mounting Queen Victoria in a Democratic South Africa (New York: Palgrave MacMillan, 2006).

Elkins, James (ed.). Is Art History Global? (London/New York, 2007).

Enwezor, Okwui. The Short Century: Independence and Liberation Movements in Africa, 1945–1994 (Munich / London / New York: Prestel Verlag, 2001).

Fibicher, Bernhard (ed.). South meets West _Ex. Cat. National Museum of Ghana, Accra I Kunsthalle and Historisches Museum Bern (Bern: Kunsthalle Bern, 2000).

Giddens, Anthony. The Consequences of Modernity. (Cambridge: POlity Press, 2006).

Glusberg, Jorge. Rhetoric of Art (Milan: Giancarlo Politi Editore, 1986).

Good, Carl, and Waldron, John V. (eds.). The Effects of the Nation. Mexican Art in an Age of Globalization (Philadelphia: Temple University Press, 2001).

Hall, Stuart, and Maharaj, Sarat. Modernity and Difference. InIVA Annotations 6 (London: Institute for International Visual Arts (inIVA), 2001).

Hassan, Salah M. and Olu Oguibe. Authentic/Ex-Centric: African Conceptualism in Global Context. exhib. cat., 49th Biennale di Venezia. (Eindhoven: Forum for African Arts, 2001).

Howe, Stephen. Afrocentricism: Mythical Pasts and Imagined Homes. (London: Verso, 1998).

Haupt, Gerhard and Scherer, Bernd (eds.). Neue Bildende Kunst. Zeitschrift für Kunst und Kritik. Das Marco Polo Syndrom, 4/5, 1995 (Berlin, 1995).

Hoffmann, Detlef (ed.). Kunst der Welt oder Weltkunst. Die Kunst in der Globalisierungsdebatte Documentation of a Conference at Evangelische Akademie Loccum Mai 24th – 26th, 2002 (Rehburg-Loccum: Evangelische Akademie, 2003).

Jones, Amelia (ed.). A Companion to Contemporary Art since 1945. Blackwell Companions to Art History (Malden/Oxford/Victoria: Blackwell Publishing Ltd., 2006).

Keyder, Çağlar. Istanbul: Between the Global and the Local. (Lanham/Oxford: Rowman and Littlefield Publishers, 1999).

King, Anthony D. (ed.). Culture, Globalization and the World-System. Current Debates in Art History 3 (Binghamton: Department of Art and Art History, State University of New York at Binghamton, 1991).

Kuoni, Carin (ed.). Words of Wisdom: A Curator’s Vade Mecum on Contemporary Art (New York: Independent Curators International, 2001) ISBN: 0916365603.

Lee, Pamela M. Boundary Issues. The Art world under the Sign of Globalism, in: Artforum International, vol. 42, November 2003, p. 164-167.

Lippard, Lucy R. Mixed Blessings. New Art in a Multicultural America (New York: Pantheon Books, 1990).

Mansfield, Elizabeth C. (ed.). Making Art History. A Changing Discipline and its Institutions (New York/London: Routledge, 2007).

Martin, Jean-Hubert (ed.). Les Magiciens de la Terre (Paris: Éditions du Centre Pompidou, 1989).

Martin, Jean-Hubert (ed.). Arte religione politica. Incontri ravvicinati dai cinque continenti/Art Religion Politics. Exh. Cat. (Milano:PAC Padiglione d’Arte Contemporanea di Milano, 2005)

McEvilley, Thomas. Art and Discontent. Theory at the Millennium(New York: McPherson and Company, 1991).

McEvilley, Thomas. _Art and Otherness. Crisis in Cultural Identity _(New York: McPherson and Company, 1992).

Mercer, Kobena (ed.). Pop Art and Vernacular Cultures (London / Cambridge: The MIT Press, 2007).

Michaud, Yves (ed.). Qu’est-ce que l’art au 20ème siècle? Espace de l’art (Paris: Fondation Cartier pour l’Art Contemporain, 1992).

Millet, Catherine. L’Art Contemporain. Histoire et Géographie (Paris: Flammarion, 2006).

Masaaki, Morishita. Struggles between curators and artists: the case of the Tochigi Prefectural Museum of Fine Arts in Japan in the early 1980s, in: museum and society, vol. 5, Issue 2, July 2007,, p. 86-102.

Museum für Gegenwartskunst Basel (ed.). Total Global. Umgang mit nicht-westlicher Kunst. Erste Runde: Gibt es eine globale Kunst? (Basel: C. Merian, 2000).

Ngan, Irene, and Lai, Eliza (eds.). Mapping Identities. The Art and Curating of OSCAR HO, Exh. Cat. Para/Site 5.1.-5.12.2004 (Hong Kong: Para/Site Art Space Ltd., 2004) ISBN 988-97090-0-7

Njami, Simon (ed.). Africa Remix. Contemporary Art of a Continent (Ostfildern: Hatje Cantz Verlag, 2005).

Oguibe, Olu. The Culture Game (Minneapolis: University of Minnesota Press, 2004).

Oguibe, Olu and Enwezor, Okwui (eds.). Reading the Contemporary. African Art from Theory to Practice (London: Institute of International Visual Arts (inIVA), 1999).

Olin, Margaret Rose. The Nation without Art: Examining Modern Discourses on Jewish Art (Nebraska: The University of Nebraska, 2001).

Öncü, Ayşe and Petra Weyland (eds.). Space Culture and Power: New Identities in Globalizing Cities. (London: Zed Books, 1997).

Onians, John. Compression versus Expression. Containing and Explaining the World’s Art. Clark Studies in the Visual Arts (New Haven/London: Yale University Press, 2006).

Papanikolaou, Miltiades and Xanthippi Scarpia Heupel (eds.). Cosmopolis I: Microcosmos x Macrocosmos. exhib. cat., State Museum of Contemporary Art Thessaloniki (Thessaloniki: Museum of Contemporary Art Thessaloniki, 2004).

Perdriolle, Hervé and Martin, Jean-Hubert (eds.). Dialog: Richard Long, Jivya Soma Mashe (Cologne: Verlag der Buchhandlung Walther König, 2003).

Pett, Inge. Annäherungen an den “Rest der Welt”: Probleme und Strategien im Umgang mit “fremder” zeitgenössischer Kunst (Münster: Lit Verlag, 2002) ISBN-10: 3825860698.

Pradel, Jean Louis. World Art Trends. (New York: H.N. Abrams, 1982).

PressPlay. Contemporary Artists in Conversation (London/New York: Phaidon Press, 2005).

Rüsen, Jörn; Fehr, Michael, and Rieger, Thomas W. (eds.). Thinking Utopia: Steps into Other Worlds (New York / Oxford: Berghahn Books, 2005).

Sassen, Saskia. A Sociology of Globalization. (New York: Norton & Company, 2007).

Scheps, Marc; Dziewior, Yilmaz, and Thiemann, Barbara M. (eds.). Kunstwelten im Dialog: Von Gaugin zur Globalen Gegenwart. Global Art – Rheinland 2000. Ex. Cat.: Museum Ludwig (Cologne: DuMont, 1999).

Schneider, Arnd, and Wright, Christopher. Contemporary Art and Anthropology (Oxford / New York: Berg, 2006).

Schirato, Tony and Jenn Webb. Understanding Globalization. (London: Sage Publications, 2003).

Shatanawi, Mirjam (ed.), Tehran Studio Works: The Art of Khosrow Hassanzadeh (Saqi Books, London, 2007)

Stallabrass, Julian: Art Incorporated. The Story of Contemporary Art. (Oxford: Oxford University Press, 2004).

Sullivan, Michael. Art and Artists of Twentieth-Century China(Berkeley/Los Angeles/London: University of California Press, 1996).

Summers, Davis. Real Spaces. World Art History and The Rise of Western Modernism. (London: Phaidon, 2003).

Tawadros, Gilane (ed.). Changing States. Contemporary Art and Ideas in an Era of Globalisation (London: Institute of International Visual Arts (inIVA), 2004).

Tawadros, Gilane and Sarah Campbell (eds.). Fault Lines. Contemporary Art and Shifting Landscapes. (London: Institut of International Visual Arts, 2003).

Third Text. Journal since 1987, Araeen, Rasheed, and Ziauddin Sardar (eds.) (New York / London: Routledge).

Urry, John. Global Complexity. (Cambridge: Polity Press, 2003).

Vielfaches Echo. Zeitgenössische Kunst zwischen den Kulturen, Arbeitsgemeinschaft Vielfaches Echo (eds.), (Nürnberg: Verlag für Moderne Kunst, 1998).

Volkenandt, Claus (ed.). Kunstgeschichte und Weltgegenwartskunst. Konzepte – Methoden Perspektiven (Berlin: Reimer Verlag, 2004)

Weibel, Peter and Andrea Buddensieg (eds.). Contemporary Art and the Museum. A Global Perspective (Hatje Cantz Verlag, Ostfildern, 2007).

Weibel, Peter (ed.). Inklusion: Exklusion. Versuch einer neuen Kartografie der Kunst im Zeitalter von Postkolonialismus und globaler Migration Ex. Cat.: Steirischer Herbst Graz (Cologne: DuMont, 1997).

Wu, Chin-tao. Privatising Culture. Corporate Art Intervention since the 1980s (London / New York: Verso, 2002).

Wu, Chin-Tao. Worlds Apart. Problems of Interpreting Globalised Art, in: Third Text, Vol. 21, Issue 6, November 2007 (London/New York: Routledge, 2007), p. 719-731.

Yasuko, Furuichi (and A.E.: Aki, Hoashi) (eds.). Cubism in Asia. Unbounded Dialogues. International Symposium 2005 (Tokyo: The Japan Foundation, 2006).

Zijlmans, Kitty and Wilfred van Damme (eds.). World Art Studies: Exploring Concepts and Approaches (Valiz, Amsterdam, 2007)

Art and the Market

Boll, Dirk, Kunst ist Käuflich. Freie Sicht auf den Kunstmarkt (Zürich: rüffer & rub, 2009)

Centro di Cultura Contemporanea a Palazzo Strozzi (Exhib. Cat.). Arte, Prezzo e Valore – Arte Contemporanea e Mercato (Milano: Silvana Editoriale, 2008)

Draganovic, Julia (ed.). L’Impresa dell’arte. The Enterprise of Art, (Exhib. Cat.) (Napoli: Electa, 2008).

Dossi, Piroschka, Hype! Kunst und Geld (München: Deutscher Taschenbuch Verlag, 2007).

Goldstein, Malcom. Landscape with Figures: A History of Art Dealing in the United States (Oxford: Oxford University Press, 2000).

Guillet de Monthoux, Pierre. The Art Firm. Aesthetic Management and Metaphysical Marketing (Stanford, California: Stanford University Press, 2004).

Haden-Guest, Anthony. True Colors. The Real Life of the Art World(New York: Atlantic Monthly Press, 1996).

Kusin & Company. The Modern and Contemporary Art Market (Helvoirt: The European Fine Art Foundation, 2005).

McAndrew, Clare. The Global Art Market in 2010. Crisis and Recovery (Helvoirt: The European Fine Art Foundation, 2011).

McAndrew, Clare. The International Art Market 2007-2009. Trends in the Art Trade during Global Recession (Helvoirt: The European Fine Art Foundation, 2010).

McAndrew, Clare (ed.). Fine Art and High Finance. Expert Advice on the Economics of Ownership (New York: Bloomberg Press, 2010).

McAndrew Clare, Globalisation and the Art Market. Emerging Economies and the Art Trade in 2008 (Helvoirt: The European Fine Art Foundation, 2009).

Mossetto, Gianfranco and Vecco, Marilena (eds.). Economics of Art Auctions (Milan: Angelli, 2003).

Neumüller, Moritz. Kunst und Kapital. Über Wert und Bewertung zeitgenössischer Kunstwerke und die Mechanismen des modernen Kunstmarktes. Diplomarbeit at the University Vienna, Austria, September 1997 (Hamburg: Diplomarbeiten Agentur, 1997).

Thompson, Donald. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses. (London: Aurum, 2008).

Ullrich, Wolfgang. Habenwollen. Wie Funktioniert die Konsumkultur (Frankfurt am Main: S. Fisher, 2006).

Van den Bosch, Annette. The Australian Art World. Aesthetics in a Global Market (Crows Nest: Allen&Unwin, 2005).

Velthuis, Olav. Talking Prices. Symbolic Meanings of Prices on the Market for Contemporary Art (Princeton/Oxford: Princeton University Press, 2005).

Watson, Peter. From Manet to manhattan. The Rise of the Modern Art Market. (London: Hutchinson, 1992).

White, Harrison C. Markets from Networks. Socioeconomic Models of Production (Princeton: Princton University Press, 2002).

Whitney Museum of American Art. The Price of Everything… Perspective on the Art Market (New Haven: Yale University Press, 2007).

Buildings for a New Museum

Davis, Douglas. The Museum Transformed. Desing and Culture in the Post-Pompidou Age (New York: Abbeville Press, 1990) ISBN 1-55859-064-1

Donzel, Catherine. Nouveaux Musées (Paris: Telleri, 1998) ISBN 2-7450-0035-7

Greub, Suzanne, and Greub, Thierry (eds.). Museen im 21. Jahrhundert: Ideen, Projekte, Bauten (Munich: Prestel Verlag, 2006).

Lampugnani, Vittorio Magnago and Sachs, Angeli (eds.). Museums for a New Millennium. Concepts Projects Buildings (Munich/London/New York: Prestel, 2001²).

Newhouse, Victoria. Towards a New Museum (New York: The Monacelli Press, 1998) ISBN 1-885252-60-1

Trulove, James Grayson. Designing the New Museum. Building a Destination (Gloucester: Rockport Publishers, 2000) ISBN 1-56496-689-5